Tuan Andrew Nguyen b. 1976
2.75 x 1.5 x 1.4 m (including plinth)
The sculpture draws inspiration from the Bamiyan Buddhas, two monumental sixth-century sculptures carved into the cliffs of central Afghanistan that were destroyed in 2001 in an act of cultural destruction. With only vast empty niches remaining, the work reflects on cultural memory and loss and serves as a powerful reminder of the rich crossroads of civilizations shaped by Buddhism, Hinduism, Zoroastrianism, Islam, and centuries of exchange along the Silk Road.